Wednesday, November 23, 2011

Bankai Special Ability


Bankai Special Ability: Tensa Zangetsu, much like its Shikai form, is used heavily for melee combat, but also possess a certain special ability.
  • Hyper-Speed Combat: Ichigo takes all the power of his Bankai and compresses it into a small, condensed form. Then, he uses the power of the Bankai to perform high-speed combat. His new speed is so great, that it also enhances his Flash Step prowess and allows him to create dozens of afterimages to confuse his opponent.
  • Enhanced Strength: Ichigo's Bankai also allows him to further enhance his natural great strength as shown from how effortlessly he blocked a punch from Yammy Llargo, an Espada known primarily for his immense strength. He is strong enough to cut through Yammy's Hierro with relative ease. The sudden boost in strength upon releasing allows Ichigo to break free from any attack that binds him and prevents him from moving. After his training in the Dangai, Ichigo's strength has drastically increased to the point where a single swing of his sword can level a mountain. He can grab hold of Aizen's Zanpakutō blade with his bare hand without feeling any of the exerted force, although that force was capable of doing considerable damage to the surrounding area. He is able to effortlessly break through a #90. Hadō spell "Kurohitsugi" with his bare hand alone.





Enhanced Getsuga Tenshō (Kuroi Getsuga)

  • Enhanced Getsuga Tenshō: Tensa Zangetsu retains the use of Getsuga Tenshō and can be used in the same manners, but can be used in an enhanced form. When used in Bankai, these potent blasts are black with a red outline and their path can be controlled, with explosively augmented power and speed. During Byakuya Kuchiki's fight with Ichigo, he refers to this attack as a "Kuroi Getsuga" (黒月牙, "Black Moon Fang"), referring to the attack's darkened color. Ichigo has stated that the Black Getsuga was originally Hollow Ichigo's technique, and has been proven as Ichigo had no knowledge of it during his fight with Byakuya Kuchiki, using the original Getsuga when in Bankai, and Hollow Ichigo stated that all Ichigo was doing when he used the technique was copying his inner Hollow. Ichigo can also keep Getsuga Tenshō within Tensa Zangetsu to augment his sword swings.
  • Enhanced Spiritual Power: His reiatsu is so intense and rough as well as thick and heavy that it can suffocate Humans just by being in the general vicinity of his released Bankai. Ichigo's reiatsu was solid in his Bankai despite him only recently acquiring it. In addition, his already immense spiritual energy has grandly and explosively increased, and now has a deep black spiritual energy with a crimson outline. It has come to a point where the red-outlined black energy emanates off of Ichigo's body when his spiritual pressure is exerted, replacing his blue aura. Ever since Ichigo defeated his inner Hollow and affirming his place as a Visored, he produces a black aura with a red outline that surrounds him as he initiates Bankai, rather than a white aura that shoots high into the sky. After his training in the Dangai, Ichigo's ability to sense reiatsu has increased greatly as he can now sense his sisters blocks away through various buildings and determine their current status. According to Sōsuke Aizen, by achieving evolution into a dimension separate from Shinigami, both Shinigami and Humans have become unable to feel his reiatsu unless he voluntarily lowers his level and allows them to interfere, in the same way that a two-dimensional being is unable to interfere with a three-dimensional being. In this same way, he surmises that Ichigo is standing in a dimension even higher than the one he is in.
  • Enhanced Bankai Duration: Furthermore, the fact that all of his energy is "compressed" means that usage of his Bankai doesn't expel as much spiritual power as other Bankai from the point of activation, thus allowing him to use Tensa Zangetsu at a much longer duration than any other Bankai users of his level. From his final encounter with Grimmjow in Hueco Mundo till Aizen's defeat, Ichigo was about three months in Bankai state continuously.





Ichigo assuming the form of the Final Getsuga Tenshō

  • Saigo no Getsuga Tenshō (最後の月牙天衝, The Final Moon Fang Heaven-Piercer): By using this technique, Ichigo becomes the Getsuga (月牙, Moon Fang) itself. It is referred to as the “Final” Getsuga Tenshō because if Ichigo uses it, he loses all of his Shinigami powers. For the duration of the ability, Ichigo’s hair turns black, and becomes waist-length. Light bluish-gray bandages form around his body, tightly wrapped around his torso, right arm, and face, ending just beneath his eyes. Black flame-like markings spread across his chest and wrap around his left arm, and the remains of a tattered black cloak cover his lower body. In this form, Ichigo’s body constantly emits smoky black reiatsu, most of which is focused around his right arm. Being in this form allows Ichigo to use Mugetsu. Once it is used, the transformation dissipates, in which he will then lose consciousness accompanied by intense pain with the loss of his Shinigami powers following. Then, any remaining reiatsu stabilizes and he will awaken (sometime later, roughly a month) followed shortly by the loss of his remaining Reiryoku.





Ichigo launches Mugetsu

  • Mugetsu (無月, Moonless Sky): Ichigo generates a blade of deep black spiritual energy in his hand and swings it towards the target. Doing so causes a massive veil of black spiritual energy to erupt upwards and approach the target, darkening the sky, and heavily damaging anything caught within the blast. The energy then continues to rise, dissipating into the sky.


Source : bleach.wikia.com

Saigo no Getsuga Tenshō (最後の月牙天衝, The Final Moon Fang Heaven-Piercer)












  • Saigo no Getsuga Tenshō (最後の月牙天衝, The Final Moon Fang Heaven-Piercer): By using this technique, Ichigo becomes the Getsuga (月牙, Moon Fang) itself. It is referred to as the “Final” Getsuga Tenshō because if Ichigo uses it, he loses all of his Shinigami powers. For the duration of the ability, Ichigo’s hair turns black, and becomes waist-length. Light bluish-gray bandages form around his body, tightly wrapped around his torso, right arm, and face, ending just beneath his eyes. Black flame-like markings spread across his chest and wrap around his left arm, and the remains of a tattered black cloak cover his lower body. In this form, Ichigo’s body constantly emits smoky black reiatsu, most of which is focused around his right arm. Being in this form allows Ichigo to use Mugetsu. Once it is used, the transformation dissipates, in which he will then lose consciousness accompanied by intense pain with the loss of his Shinigami powers following. Then, any remaining reiatsu stabilizes and he will awaken (sometime later, roughly a month) followed shortly by the loss of his remaining Reiryoku.
  • Mugetsu (無月, Moonless Sky): Ichigo generates a blade of deep black spiritual energy in his hand and swings it towards the target. Doing so causes a massive veil of black spiritual energy to erupt upwards and approach the target, darkening the sky, and heavily damaging anything caught within the blast. The energy then continues to rise, dissipating into the sky.



Tuesday, November 22, 2011

Tokyo et Paris - Emiri Miyamoto x Solita ost Nodame Cantabile Paris (Ed)


Tokyo et Paris
Paris et Tokyo
Et puis toujours la musique
À Paris nous étudierons
En bonne harmonie


On se connaît depuis l'enfance
On allait au cours de piano a côte
En face du grand marché
On jouait au square du quartier
À la marelle et au ballon prisonnier
Puis c'était le goûter


C'était bien la nos plus belles années
Qu'aucun souci ne pouvait altérer
Tokyo et Paris
Paris et Tokyo
Et puis toujours la musique
Tokyo et Paris
Paris et Tokyo
Et puis toujours la musique,
À Paris, nous étudierons
Ensemble


On s'est aimé depuis toujours
Plein d'appréhension avant nos auditions
À la tombée du jour
Concerts privés tous les étés
Dans la grande salle aux immenses baies vitrées
Un été enchanté
C'était bien la nos plus belles années
Qu'aucun souci ne pouvait altérer


Tokyo et Paris
Paris et Tokyo
Et puis toujours la musique
Tokyo et Paris
Paris et Tokyo
Et puis toujours la musique, musique, musique,
À Paris nous étudierons
En bonne harmonie.......


The english translation is after the cut (sorry it's only a rough Google translation, didn't have the courage to do it myself)

Tokyo and Paris
Paris and Tokyo
And still the music
In Paris we will look
In harmony

It will be known since childhood
It was during a piano coast
In front of the large market
We played square neighborhood
At hopscotch and ball prisoner
Then it was the taste

It was well our best years
Concern that could affect
Tokyo and Paris
Paris and Tokyo
And still the music
Tokyo and Paris
Paris and Tokyo
And always the music,
In Paris, we look
Together

It has always loved
Full of apprehension before our hearings
At dusk
Private concerts every summer
In the great room with hug
e windows
One was delighted
It was well our best years
Concern that could affect

Tokyo and Paris
Paris and Tokyo
And still the music
Tokyo and Paris
Paris and Tokyo
And always music, music, music,
In Paris we will look
In harmony .......

Tuesday, November 15, 2011

Shakugan no Shana III (Final)


Alternative Titles

Synonyms: Shakugan no Shana Third, Shakugan no Shana 3, Shakugan no Shana Final
Japanese: 灼眼のシャナIII (Final)

Information

Type: TV
Episodes: 24
Status: Currently Airing
Aired: Oct 8, 2011 to ?
Duration: 23 min. per episode
Rating: PG-13 - Teens 13 or older
L represents licensing company 


Statistics

Score: 8.231 (scored by 3368 users)
Ranked: #59192
Popularity: #643
Members: 22,131
Favorites: 188
1 indicates a weighted score
2 based on the top anime page.


Synopsis

Continuing from the events of the last series (Shakugan no Shana II), both Shana and Kazumi stand at their respective locations waiting for Yuji to meet with one of them, only to discover that Yuji has disappeared, with not even the slightest evidence of his existence left behind. All is not lost however, as the letters the two of them sent to him still give hope of Yuji's continued existence. As Shana and company search for answers on Yuji's whereabouts, they soon find the truth staring back at them when Yuji reappears in front of them as the leader of Bal Masqué. Left with little choice, Shana must now confront her most unlikely adversary on the battlefield in her toughest challenge yet. 





Wednesday, November 9, 2011

Take Off - 2PM ost Ao no Exorcist (Ed)


Kimi to deatta no wa
Tada no guzen jyanai
Kore wo unmei to yobunda

Sono hitomi ni utsuru
Bokutachi ga kagayaite
Irareru yo ni Zutto mitsume tsuzukete

(I'll be) Itsu no himo kimi ni
(With you) Egao wo tayasanai
Ima koko de chikaitai (you and me)

(Please be) Dakara moshi kono mune ga
(With me) Michi ni mayou hi ni wa
Mirai e no tobira wo hiraite hoshii

Ready ready ready for the take off
Michinaru sekai e to maia garunda
Dakara (dakara) sono te hanasanaide buddy

Ready ready ready for the take off
Yume ga mezasu basho e
Tsukanda kono kizuna nigiri shimete

Dare mo ga idomu toki
Fuan ni karareru
Sonna toki wa sotto senaka oshite yo

(Please be) Kimi no sono hitokoto wa
(With me) Tsugini susumu tame no
Tsuyoi yuuki ni naru
Mahou no kotoba

Ready ready ready for the take off
Chiheisen mezasunda
Ano mukoude kitto to dareka ga matteiru buddy

Ready ready ready for the take off
Umarekawaru basho e
Mai orirunda hitotsu ni naru tame ni

Now low low low to the flow We got a future kanjirou (aiight! )
Baby make that and break down let's jump up, let's jump up! (uh! )

We're gonna go high, jidai ga Yes motometa do you want it?
Oh my God! 
Everybody do it now sonomama we will show you how
Baby it's my dream but sore wa just joking
Let me hear kimi ni todokeru are we ready?, let's take off! 

De ai ga inochi wo hakonde ikerunda

Ready ready ready for the take off
Yume ga mezasu basho e
Tenishite kono kizuna nigiri shimete